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Musica Medievale 🏹
Italy
Приєднався 26 вер 2007
The best, and probably only, UA-cam channel about Medieval Music.
Monetization on this channel is disabled to offer the highest possible listening quality. Every ads are by UA-cam and the proceeds go directly to the artists or labels. The purpose of the channel is only to spread quality medieval music accompanied by videos with images taken from original sources. This philanthropic work takes a lot of time, love and passion and I don't make any monetary gains. If you want to support the channel, any free offer is welcome and I'll use your kindness by buying books and records records to share with you, and wine to toast your health!
🌻 ⤳ paypal.me/volpemirko
Mirko Virginio Volpe
MUSICA MEDIEVALE
•••
facebook: musicamedievale
Monetization on this channel is disabled to offer the highest possible listening quality. Every ads are by UA-cam and the proceeds go directly to the artists or labels. The purpose of the channel is only to spread quality medieval music accompanied by videos with images taken from original sources. This philanthropic work takes a lot of time, love and passion and I don't make any monetary gains. If you want to support the channel, any free offer is welcome and I'll use your kindness by buying books and records records to share with you, and wine to toast your health!
🌻 ⤳ paypal.me/volpemirko
Mirko Virginio Volpe
MUSICA MEDIEVALE
•••
facebook: musicamedievale
Hildegard Von Bingen: ALBA - Agnethe Christensen, Poul Høxbro, Helen Davies, harp & CON FUOCO
Ensemble: Christensen, Høxbro, Davis, CON FUOCO
Album: Hildegard Von Bingen
Video: Scivias
musicamedievale
•
Abbess, visionary, prophetess, herbalist, philosopher, healer, writer, politician, poet, composer. These are some of the paths taken by Hildegard Von Bingen in her long life. Without a doubt Hildegard was one of the greatest personalities of the Middle Ages. She was abbess of two convents, around the age of 40 she confessed to having visions that made her extremely famous and which were confirmed firstly by Bernard of Clairvaux and subsequently made official in the Synod of 1147 by Pope Eugene III, probably on "advice" of the famous abbot of Claurvaux. This official recognition further increased the visits, and consequently the earnings, of the monastery of Disibodenberg where Hildegard resided, so much so that when the prophetess decided to move and found a new community in front of Bingen, a place which she said was indicated by a vision, he found strong opposition from the monks of Disibodenberg who with his departure would have lost great prestige, so to speak. Then suddenly Hildegard went to bed reporting a paralysis interpreted as a sign of divine anger for not having immediately fulfilled the command to give life to a new community. Fortunately, the paralysis suddenly disappeared when she was granted permission by her superiors to leave with eighteen nuns to found a new monastery. It was 1150, and thanks to this miraculous proto-strike Hildegard was able to found her monastery while also maintaining excellent relations with the monks of Disibodenberg. Some scholars today try to dismiss Hildegard's visions with migraines with aura, others attribute a political move to these visions, I am honestly not interested in an answer also because it would only be a sterile modern conjecture.
The authority Hildegard achieved allowed her to dispense advice and admonitions to the greatest political personalities of her time and her opinion was always held in high regard by popes, rulers and scholars throughout Europe, truly influencing the course of events. Famous is the letter to Emperor Barbarossa, who after meeting Hildegard always had an enormous respect for her, in which the abbess warns him for the election of an antipope by writing to him: "Before my eyes in the mystical vision I am clear that you you behave like a child, or rather like a madman. But you still have time to continue to reign on earth. Be careful that the High King does not destroy you because of your blindness [...]" Hildegard traveled extensively and preached in many cities of Europe, her life is an engaging novel, but this is not the place to describe it accurately as we are here to talk about one of the many aspects in which Hildegard excelled in originality: music, which has always been a central element in Hildegard's religious and philosophical universe. For her, music is not a simple appendage of the written word, but a bridge that connects the earthly dimension to the celestial one: "I sang and wrote melodies for the glory of God, without instructions from anyone, even if I had never been taught how to read music or sing." Well that's it, here's the truth that could shock the academics of the conservatories who know very little if the sounds of the universe are not caged in the lines of the score! And what about the use of musical instruments? There are many, too many dark and austere interpretations of Hildegard's repertoire: everything to be thrown away! Hildegard wrote: "...the prophets not only wrote psalms and songs, but also used various musical instruments in a melodious accompaniment to the songs ." Furthermore, returning to our times, just raise your eyes towards the frescoed vaults of medieval churches to find angels playing musical instruments of all sorts, and I'm not talking about the usual "vielle" that have monopolized the scene in the last 20 years and seem be the only instrument tolerated by the new interpretative taste of medieval music, I'm talking about DRUMS! HURDY-GURDY! FLUTES! In this wonderful album created by Poul Hoxobro and Agnethe Christensen, who sadly passed away recently, a selection of compositions by Hildegard Von Bingen is presented with one of the most convincing interpretations I have ever heard. Here is a wonderful artistic proof demonstrating the fact that drums and medieval music can also be synonymous with credibility, elegance and good taste and not just "fantasy re-enactment and porchetta festival".
I wish you happy listening!
Mirkò Virginio Volpe
MUSICA MEDIEVALE
•
1 O viriditas
2 O viridissima Virga
3 Columba aspexit
4 Viridissima Virga
5 O Euchari
6 O quam mirabilis est
7 Ave generosa
8 Caritas abundat
9 O frondens Virga
10 O nobilissima viriditas
11 O spiritui Sancto
•
Agnethe Christensen, alto
Poul Høxbro, pipe, psaltery, tar, triangle
Helen Davies, harp
Ensemble CON FUOCO
•
Buy: cutt.ly/JenWd7DX
•
#musicamedievale #earlymusic #medievalmusic
Album: Hildegard Von Bingen
Video: Scivias
musicamedievale
•
Abbess, visionary, prophetess, herbalist, philosopher, healer, writer, politician, poet, composer. These are some of the paths taken by Hildegard Von Bingen in her long life. Without a doubt Hildegard was one of the greatest personalities of the Middle Ages. She was abbess of two convents, around the age of 40 she confessed to having visions that made her extremely famous and which were confirmed firstly by Bernard of Clairvaux and subsequently made official in the Synod of 1147 by Pope Eugene III, probably on "advice" of the famous abbot of Claurvaux. This official recognition further increased the visits, and consequently the earnings, of the monastery of Disibodenberg where Hildegard resided, so much so that when the prophetess decided to move and found a new community in front of Bingen, a place which she said was indicated by a vision, he found strong opposition from the monks of Disibodenberg who with his departure would have lost great prestige, so to speak. Then suddenly Hildegard went to bed reporting a paralysis interpreted as a sign of divine anger for not having immediately fulfilled the command to give life to a new community. Fortunately, the paralysis suddenly disappeared when she was granted permission by her superiors to leave with eighteen nuns to found a new monastery. It was 1150, and thanks to this miraculous proto-strike Hildegard was able to found her monastery while also maintaining excellent relations with the monks of Disibodenberg. Some scholars today try to dismiss Hildegard's visions with migraines with aura, others attribute a political move to these visions, I am honestly not interested in an answer also because it would only be a sterile modern conjecture.
The authority Hildegard achieved allowed her to dispense advice and admonitions to the greatest political personalities of her time and her opinion was always held in high regard by popes, rulers and scholars throughout Europe, truly influencing the course of events. Famous is the letter to Emperor Barbarossa, who after meeting Hildegard always had an enormous respect for her, in which the abbess warns him for the election of an antipope by writing to him: "Before my eyes in the mystical vision I am clear that you you behave like a child, or rather like a madman. But you still have time to continue to reign on earth. Be careful that the High King does not destroy you because of your blindness [...]" Hildegard traveled extensively and preached in many cities of Europe, her life is an engaging novel, but this is not the place to describe it accurately as we are here to talk about one of the many aspects in which Hildegard excelled in originality: music, which has always been a central element in Hildegard's religious and philosophical universe. For her, music is not a simple appendage of the written word, but a bridge that connects the earthly dimension to the celestial one: "I sang and wrote melodies for the glory of God, without instructions from anyone, even if I had never been taught how to read music or sing." Well that's it, here's the truth that could shock the academics of the conservatories who know very little if the sounds of the universe are not caged in the lines of the score! And what about the use of musical instruments? There are many, too many dark and austere interpretations of Hildegard's repertoire: everything to be thrown away! Hildegard wrote: "...the prophets not only wrote psalms and songs, but also used various musical instruments in a melodious accompaniment to the songs ." Furthermore, returning to our times, just raise your eyes towards the frescoed vaults of medieval churches to find angels playing musical instruments of all sorts, and I'm not talking about the usual "vielle" that have monopolized the scene in the last 20 years and seem be the only instrument tolerated by the new interpretative taste of medieval music, I'm talking about DRUMS! HURDY-GURDY! FLUTES! In this wonderful album created by Poul Hoxobro and Agnethe Christensen, who sadly passed away recently, a selection of compositions by Hildegard Von Bingen is presented with one of the most convincing interpretations I have ever heard. Here is a wonderful artistic proof demonstrating the fact that drums and medieval music can also be synonymous with credibility, elegance and good taste and not just "fantasy re-enactment and porchetta festival".
I wish you happy listening!
Mirkò Virginio Volpe
MUSICA MEDIEVALE
•
1 O viriditas
2 O viridissima Virga
3 Columba aspexit
4 Viridissima Virga
5 O Euchari
6 O quam mirabilis est
7 Ave generosa
8 Caritas abundat
9 O frondens Virga
10 O nobilissima viriditas
11 O spiritui Sancto
•
Agnethe Christensen, alto
Poul Høxbro, pipe, psaltery, tar, triangle
Helen Davies, harp
Ensemble CON FUOCO
•
Buy: cutt.ly/JenWd7DX
•
#musicamedievale #earlymusic #medievalmusic
Переглядів: 6 768
Відео
Riddle Songs, old english medieval lyrics in music - Stef Conner, Hanna Marti
Переглядів 5 тис.21 день тому
Ensemble: Stef Conner, Hanna Marti Album: Riddle Songs Video: MS Junius 11, XI secolo musicamedievale • “No songs in Old English have survived from the period in which the language was originally used. And yet everything we know of Anglo-Saxon culture - as preserved in written texts or rediscovered by archaeologists - presents a compelling, if tantalisingly incomplete, picture of a...
L'Art de la Vièle à Archet: Danses et Chansons - Julian Skowron (medieval instrumental music)
Переглядів 6 тис.28 днів тому
Ensemble: Julien Skowron with Henri Agnel, Bernard Huneau and Marcelo Ardizzone Album: L'Art de la Vièle à Archet: Danses et Chansons Video: Queen Mary Psalter, XIV secolo musicamedievale • Here's another really enjoyable and semi-unknown album. Although the vinyl pressing, dating back to 1977, was produced by the Arion label which still exists, it is not possible to purchase this ...
Goliard, Fortune My Foe: rare medieval music album from 1975
Переглядів 7 тис.Місяць тому
Ensemble: Goliard Album: Fortune My Foe Video: Harley 4951, XI secolo musicamedievale • Who are the Goliards? Obviously this is not the place to talk about the very interesting world of medieval clerics, if anyone is interested in the topic write to me and I will be happy to share my researches; by Goliard here we mean an English early music ensemble from the 70s about which, unfor...
Hert so Hy: Songs of Longing from Medieval Europe - Katherine Christie Evans
Переглядів 7 тис.Місяць тому
Ensemble: Katherine Christie Evans Album: Hert so Hy: Songs of Longing from Medieval Europe Video: women playing gitterns from various manuscripts from XII to XIV centuries musicamedievale • "1 woman, 1 gittern 1 microphone! A collection of medieval European love songs, arranged for gittern and voice, performed and recorded by Katherine Christie Evans" Here is the brief introductio...
Hymns of Kassianí, the world’s earliest music female composer: 9th-century - Cappella Romana
Переглядів 19 тис.2 місяці тому
Ensemble: Cappella Romana Album: Hymns of Kassianí Video: Add MS 19352, XI secolo musicamedievale • Here is another interpretation of the repertoire that has come down to us from Kassia, today considered the world’s earliest music female composer: 9th-century nun, poet, and hymnographer. Judging by some comments regarding the VocaMe interpretation that I presented to you some time ...
EDDA - The Rheingold Curse: A Germanic Saga of Greed and Vengeance from the Medieval Icelandic Edda
Переглядів 8 тис.3 місяці тому
Ensemble: Sequentia Album: The Rheingold Curse Video: Codex Regius GKS 2365 4to, XIII secolo musicamedievale • Reconstruction, by Benjamin Bagby, of the ancient Germanic Rheingold story from the Old Icelandic Edda. This is the oldest-known witness to the story of gold, greed and revenge which captivated Europe for centuries and which served as the basis for Richard Wagner’s Ring de...
Kassia - Byzantine Hymns from the first female composer of the Medieval Occident
Переглядів 171 тис.3 місяці тому
Ensemble: VocaMe Album: Kassia - Byzantine Hymns from the First Female Composer of the Occident Video: Add MS 19352, XI secolo musicamedievale • About 290 years before the brilliant Hildegard of Bingen was born, Kassia was born in Constantinople, the oldest female composer of whom we have complete musical works today. Of Greek-Byzantine origin, she distinguished herself at an early...
Cansós De Trobairitz - Hesperion XX, Jordi Savall, Montserrat e Pilar Figueiras
Переглядів 31 тис.3 місяці тому
Ensemble: Hesperion XX Album: Cansós De Trobairitz Video: Les Très riches Heures de Metz - 1300/1399 musicamedievale • When talking about Hesperion XX and Jordi Savall, there is not much to add to the presentation as we are talking about some of the most famous musicians in the world engaged in the performance and research of ancient music. I will therefore limit myself to writing...
Cantigas de Italia, Italian Cantigas de Santa Maria - Música Antigua, Eduardo Paniagua
Переглядів 8 тис.3 місяці тому
Ensemble: Música Antigua, Eduardo Paniagua Album: Cantigas de Italia Video: Details from "Cappella dei Magi" by Benozzo Gozzoli - Firenze 1459 musicamedievale • Here is an interesting and original publication dedicated to the famous Cantigas de Santa Maria linked to Italy both for the themes covered and for their origin from the Florentine codex MS b.r. 20. Truly an original and we...
Iberian Garden - Jewish, Christian and Muslim Music in Medieval Spain - Altramar Ensemble
Переглядів 25 тис.4 місяці тому
Ensemble: Altramar Album: Iberian Garden · Jewish, Christian and Muslim Music in Medieval Spain vol. 1 Video: Vaticano Ar.368 - XII secolo musicamedievale • I have already talked to you about Altramar ensemble in these two videos: ua-cam.com/video/Wt2PfjCaako/v-deo.html - ua-cam.com/video/Jg3uTqp6MFY/v-deo.htmlsi=DwulMUMWowp8hkwd In this publication, Altramar ensemble is engaged in...
Der Mönch von Salzburg - Bären Gässlin
Переглядів 7 тис.5 місяців тому
Der Mönch von Salzburg - Bären Gässlin
Oswald Von Wolkenstain, Frölich Geschray So Well Wir Machen - Bären Gässlin
Переглядів 4,9 тис.5 місяців тому
Oswald Von Wolkenstain, Frölich Geschray So Well Wir Machen - Bären Gässlin
La danse à la cour des ducs de Bourgogne - La Maurache
Переглядів 11 тис.5 місяців тому
La danse à la cour des ducs de Bourgogne - La Maurache
From Galway to Galicia: the Celtic shores - Altramar Medieval Music Ensemble
Переглядів 12 тис.5 місяців тому
From Galway to Galicia: the Celtic shores - Altramar Medieval Music Ensemble
Celtic Wanderers The Pilgrim's Road - Altramar Medieval Music Ensemble
Переглядів 21 тис.5 місяців тому
Celtic Wanderers The Pilgrim's Road - Altramar Medieval Music Ensemble
Crossroads of the Celts - Altramar Medieval Music Ensemble
Переглядів 11 тис.6 місяців тому
Crossroads of the Celts - Altramar Medieval Music Ensemble
Pastourelle - The Art Of Machaut And The Trouvères, Fortune's Wheel
Переглядів 18 тис.6 місяців тому
Pastourelle - The Art Of Machaut And The Trouvères, Fortune's Wheel
Monodia Cortesana - Atrium Musicae, Orquesta Marroquí De Tetuán - Medieval Music 12th/13th cent.
Переглядів 7 тис.6 місяців тому
Monodia Cortesana - Atrium Musicae, Orquesta Marroquí De Tetuán - Medieval Music 12th/13th cent.
Amor De Lonh - The Distant Love Of The Troubadours, Martin Best Consort
Переглядів 8 тис.7 місяців тому
Amor De Lonh - The Distant Love Of The Troubadours, Martin Best Consort
A Troubadour In Hungary - Peire Vidal, Trubadúr Magyarországon - Fraternitas Musicorum - Medieval
Переглядів 8 тис.7 місяців тому
A Troubadour In Hungary - Peire Vidal, Trubadúr Magyarországon - Fraternitas Musicorum - Medieval
The Night of Saint Nicholas - A Mediaeval Liturgy For Advent - La Reverdie, I Cantori Gregoriani
Переглядів 12 тис.8 місяців тому
The Night of Saint Nicholas - A Mediaeval Liturgy For Advent - La Reverdie, I Cantori Gregoriani
Thys Yool - A Medieval Christmas, Martin Best Mediaeval Ensemble ❄︎ Medieval Winter Music, Noël
Переглядів 243 тис.8 місяців тому
Thys Yool - A Medieval Christmas, Martin Best Mediaeval Ensemble ❄︎ Medieval Winter Music, Noël
L'Orient des Troubadours - Ensemble Beatus, Jean-Paul Rigaud & Jasser Haj Youssef
Переглядів 8 тис.8 місяців тому
L'Orient des Troubadours - Ensemble Beatus, Jean-Paul Rigaud & Jasser Haj Youssef
Paris 1200 - Pérotin, Léonin, Chant And Polyphony From 12th Century France, Ensemble Lionheart
Переглядів 159 тис.9 місяців тому
Paris 1200 - Pérotin, Léonin, Chant And Polyphony From 12th Century France, Ensemble Lionheart
Gautier de Coincy・Miracles Of Notre-Dame - The Harp Consort, Andrew Lawrence-King
Переглядів 9 тис.9 місяців тому
Gautier de Coincy・Miracles Of Notre-Dame - The Harp Consort, Andrew Lawrence-King
Thank you
Très beau. Magnifique!
Beautiful performances, thank you for sharing this album. I enjoyed your notes very much, as well.
Esta magnífica interpretação de um 'pedaço ' da música medieval italiana juntamente com pinturas do cotidiano da época criam uma atmosfera única de um mundo fascinante. Grato👏👍
Superbe album
four hundred and twelfth to like
Beautiful.
BANGER
❤✝️❤
Was für ein wunderbares Zusammenspiel der rhytmisierend, pulsierenden Musikinstrumente - verwoben mit der aufschwingenden Reinheit des Gesanges! Die Ganzheit der Klangwelt von Hildegarde ist hier anwesend. R.I.P. Agnetha. In Deo Gratias.
Beautiful, surprising and appreciated. Plenty of research and dedication has brought these sounds to my ears.
PREMIOS AL AMOR DE DIOS (5) "El justo no piensa así. Percibe las tribulaciones de tantos descaminados; pues son muchos los que eligen el camino ancho que lleva a la muerte. Pero escoge para sí otro camino más seguro sin desviarse a la derecha ni a la izquierda. Así lo atestigua el Profeta: La senda del justo es recta. Tú allanas el sendero del justo. Toman un atajo muy práctico y evitan la molestia de tantos rodeos inútiles. Se rigen por un criterio simple y claro: no desear todo lo que ven, sino vender lo que poseen, y dárselo a los pobres. ¡Dichosos los que eligen ser pobres, porque de ellos es el reino de los cielos! Todos corren, pero hay mucha diferencia de unos a otros. El Señor conoce el camino de los justos, pero la senda de los pecadores acaba mal. Mejor es ser honrado con poco que ser malvado en la opulencia, porque, como dice el sabio y experimenta el necio, el codicioso no se harta de dinero; en cambio, los que tienen hambre y sed de justicia serán hartos. La justicia es un auténtico manjar, vital y natural, del espíritu que se guía por la razón. Por el contrario, el dinero alimenta tanto al alma como el viento al cuerpo. Si vieras a un hombre famélico con la boca abierta y los carrillos hinchados, tragando aire para saciar el hambre, ¿no lo tendrías por loco? Mayor locura es creer que el espíritu humano puede saciarse con bienes materiales. Lo único que hace es inflarse. ¿Existe proporción entre lo corporal y lo espiritual? Ni el cuerpo puede alimentarse del espíritu ni éste de lo corporal. Bendice, alma mía, al Señor. El sacia de bienes tus anhelos. Te llena de bienes, te sostiene y te llena. Él hace que desees, y él es lo que deseas". (San Bernardo de Claraval. SOBRE EL AMOR A DIOS)
23 DE AGOSTO CRISTO NOS ENSEÑÓ A AMAR AL PRÓJIMO POR DIOS Y A DIOS EN EL PRÓJIMO. Nuestro Señor Jesucristo declara que da a sus discípulos el mandamiento nuevo de que se amen recíprocamente: "Os doy -dice- el Mandato nuevo, que os améis mutuamente". Acaso no se había ya dado este mandamiento en la ley antigua de Dios, en que estaba escrito: “Amarás a tu prójimo como a ti mismo”? ¿Pues por qué el Señor llamó nuevo lo que se evidencia ser tan antiguo? ¿Es quizá mandato nuevo, porque nos vistió del hombre nuevo desnudándonos el viejo? Ciertamente, al que oye este mandato, o más bien al que le obedece, renueva, no cualquier amor, sino éste que para distinguirle el Señor del amor carnal, añadió: "Como yo os he amado". Porque sin hacer mención del amor culpable y reprobado con que se aman mutuamente los adúlteros y adúlteras, los deshonestos y rameras, y cualesquiera otros que juntó, no la humana necesidad, sino la torpeza perjudicial de la vida humana; sin hablar de éstos, se aman recíprocamente los esposos y las esposas, los padres y los hijos, y cualesquiera otras cosas que la necesidad humana enlaza entre los hombres. Cristo, pues, nos dio el mandato nuevo, que nos amemos mutuamente como Él mismo nos amó. Éste es el amor que nos renueva, para que seamos hombres nuevos, herederos del testamento nuevo, y cantores del cántico nuevo. Este amor, hermanos carísimos, renovó antes a los antiguos justos, a los Patriarcas y Profetas, así como después renovó a los bienaventurados Apóstoles; y el mismo amor renueva ahora a las gentes, y del todo género humano difundido por toda la tierra hace y congrega un pueblo nuevo, como cuerpo de la nueva enlazada Esposa del Unigénito Hijo de Dios, de la cual se dice en el Cántico de los Cánticos: "¿Quién es ésta que sube blanqueada?". Blanqueada en verdad, porque renovada: ¿y de dónde, sino del mandato nuevo? "Por lo cual los miembros en ella están solícitos unos de otros, y si un miembro padece, se compadecen todos los miembros, y si un miembro es glorificado se alegran en él todos los miembros". Porque oyen y guardan: "Os doy el mandato nuevo, que os améis mutuamente"; no como se aman los que se pervierten, ni como se aman los hombres porque son hombres; sino como se aman por cuanto son dioses todos e hijos del Altísimo, para ser hermanos de su Hijo único, amándose recíprocamente con aquel amor con que Él dijo había de conducirlos al gran fin que les satisfaga, y donde el deseo de ellos se sacia de bienes. Como que entonces nada faltará a su deseo, cuando Dios será todas las cosas en todos. Tal fin no tiene fin. Nadie muere allí, adonde nadie llega sin morir a este siglo, no con la muerte de todos en que el alma deja al cuerpo, sino con la muerte de los escogidos en que, aun continuando la unión de la cama mortal, se pone el corazón arriba. De esta tal muerte decía el Apóstol: "Porque estáis muertos, y vuestra vida está escondida con Cristo en Dios". Acaso por esto se dijo: "El amor es fuerte como la muerte". Con esta muerte sucede por cierto que, aun morando en este cuerpo con motivos, muramos a este siglo, y nuestra vida esté escondida con Cristo en Dios; o más bien el mismo amor es nuestra muerte para el siglo, y nuestra vida para Dios. Porque si la muerte sucede cuando el alma sale del cuerpo, ¿cómo no ser muerte cuando nuestro amor sale del mundo? Así el amor es fuerte como la muerte. ¿Qué cosa más fuerte que ésta con que es vencido el mundo? Por lo cual, hermanos míos, no penséis que en esto que dice el Señor: "Os doy el mandato nuevo, que os améis mutuamente", ha sido excluido aquel mandato mayor en que se nos ordena que amemos al Señor nuestro Dios con todo el corazón, con toda el alma, y todo el entendimiento; porque parece que como omitido esto se ha dicho "que os améis mutuamente", o como si esto no perteneciera a aquello otro que se dijo: "Amarás a tu prójimo como a ti mismo". "Porque en estos dos preceptos -dice- pende toda la ley y los Profetas". Pero para los que entienden bien se halla uno y otro en cada uno de los mandatos. Porque el que ama a Dios no puede despreciar al mandato que ame al prójimo; y el que ama santa y espiritualmente al prójimo, ¿qué ama en él sino a Dios? Éste es el amor separado de todo amor mundano, y para cuya distinción añadió el Señor: "Como yo os he amado". Y por cierto, ¿qué amó en nosotros sino a Dios? No porque le teníamos, sino para que le tuviésemos: para conducirnos, como ya he dicho, adonde Dios sea todas las cosas en todos. Así también se dice con razón, que el médico ama a los enfermos; y qué ama en ellos sino la salud que desea restablecer, no la enfermedad que procura expeler? Así, pues, nosotros amémonos también recíprocamente, para que en cuanto está de nuestra parte, nos atraigamos mutuamente con las diligencias del amor para tener a Dios en nosotros. Este amor nos comunica el mismo que dice: "Como yo os he amado, para que también vosotros os améis mutuamente". Para este fin nos amó; para que a la vez nos amemos nosotros, confiriéndonos al amarnos el que vivamos estrechados entre nosotros con el amor recíproco, y unidos los miembros con tal dulce vínculo, seamos el cuerpo de tan gran cabeza. (Tract. 65, in Joan., nn. 1 y 2).
CONSAGRACIÓN DE LA FAMILIA AL INMACULADO CORAZÓN DE MARÍA ORACIÓN. Inmaculado Corazón de María, Madre de Dios y Madre nuestra; entrad hoy en esta familia, que desea consagrarse para siempre a Vos. ¡Oh la más tierna de las madres! Al recibiros en nuestra casa, os decimos que queremos ser los más leales, los más obedientes, los más fervorosos de vuestros hijos. Ya que venís a formar parte de esta familia, socorrednos en todas nuestras necesidades espirituales y corporales; rogad siempre por nosotros, ahora y en la hora de nuestra muerte. ¡Oh María, mostrad que sois nuestra madre! ¡Oh Madre, aquí tenéis a vuestros hijos. ACTO DE CONSAGRACIÓN. ¡Oh María, Madre de Dios y Madre nuestra! La familia aquí reunida se consagra hoy a Vuestro Inmaculado Corazón, para que reinéis en nuestra casa, con la presencia entre nosotros de vuestra sagrada imagen, con vuestra protección maternal en los días de alegría y de dolor, y siempre con vuestro espíritu, modelo de todas las virtudes. Os consagramos nuestro ser y nuestra vida, nuestros cuerpos y nuestras almas, nuestro hogar y nuestra familia, cuanto amamos y cuánto tenemos. Deseamos que todo lo que nos rodea pertenezca a Vos y participe de Vuestras maternales bendiciones. Y para que esta Consagración sea eficaz y duradera, renovamos a vuestros pies las promesas del Bautismo, y nos comprometemos a profesar siempre las verdades de la fe, a vivir como católicos verdaderos, observando los Mandamientos de Dios y de la Iglesia y a santificar nuestra vida con la práctica de la Religión Cristiana, Especialmente con la frecuentes recepción de los Santos Sacramentos. Dignados, ¡oh tierna Madre nuestra!, tomar plena posesión de este hogar; estableced en él el reinado de Vuestro Inmaculado Corazón, a fin de acelerar y asegurar el reinado del Corazón de Vuestro Adorable Hijo Jesús. Amén.
00:00 O viriditas 08:49 O viridissima Virga 11:34 Columba aspexit 18:13 Viridissima Virga 20:24 O Euchari 28:57 O quam mirabilis est 32:22 Ave generosa 40:30 Caritas abundat 43:08 O frondens Virga 46:10 O nobilissima viriditas 50:54 O spiritui Sancto
Thank you once again, Bernard. You are a prince among commenters!
@@MsLeenite ❤
Merci Mirko !
❤❤❤❤
Blessed Hildegard von Bingen, please 🙏 pray 🙏 for me. Amen.
Such beautiful music. I also love your fascinating and insightful text that you've included with this video. "I am honestly not interested in an answer also because it would only be a sterile modern conjecture." True and wise!
Excellent music, thank you!
😇
I live to wait for these videos
La ilustración del manuscrito, con los coros angelicales rodeando y alabando a Dios, es impresionante... no vi nada parecido.
Sublime ❤
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12.00 trovo queste danze e litanie,davvero interessanti. Cerea Mo'
Magnifique sublime ❤
Timestamps for myself 39:45
This is definitely a standout piece.
This is so powerful. Just bought the single. Best wishes to you folks.
Nice music :) I like it very much.
Love this music; adore the graphics! Thanks for posting!
Sono io la morte e portò corona, sono di tutti voi signora e padrona,.....😂😂😂😂. "Angelo Branduardi"😂😂😂😂
Si, Branduardi ha "preso" molto dalla musica medievale e da quella tradizionale. Spesso, se non sempre, spacciandole come sue composizioni... 😂➵ facebook.com/ilvecchiomalandrino
What is the name is the first song? I am in love and need to learn how to sing it
Excellent! Superior presentation of proof that voice alone is a fierce-powerful, instrument that can stand alone and even outperform any other intruments humans can design
stan kassia
Thanks be to Pope Benedict XVI for making St Hildegard of Bingen the fourth woman Doctor of the Church! Deo gratias!
Only 1300's kids will remember
Ritchie Blackmore?
Adoro il Medioevo
🌹
Viva Cristo Rey! Viva a Santa Igreja!
moh, you made these hymns sound like some kind hollywood medieval joust cat tail stepping. also the accent sounds like a choir girl ordering pasta she cant pronounce in a country she is unaware exists. honestly the orchestration sounds like a spa background music in any case if you want to pretend you are historical dont write 'Greek-Byzantine' as a description. obviously she was a greek speaker and she was from the roman empire as it was understood at the time. in any case these hymns were probaby written for male voices given the time. also that pathetic plaintiveness you have recorded in there is very out of place in music designed for quite austere church settings. have you lot ever heard eastern music or is this just designed to appeal to sunday church goers in some middle class english parish?
Bellísima y extraordinaria obra de Arte, tanto la Música y, por supuesto el montaje videográfico. Gracias por compartirlo.
Is anyone aware of the violence against Christianity the bloodshed the machetes and sticks depicted in these frescoes??? Now in 2024 we are reliving the identical attacks on our Christian beliefs ……….
01:03:00 Hold on, I've heard this part from Enotria: The Last Song. In the Prince of Laughter's boss fight.